داستانگوئی

Welcome to the world of Dastangoi.

It is an expansive, infinite world which makes you imagine what you thought you could never imagine.

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On Stage

Popular Shows

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Dastan-E-Amir Hamza
Classic

Dastan-E-Amir Hamza

The epic of epics

New Delhi March 2024
Dastan Amar Ayyar
Classic

Dastan Amar Ayyar

aur Mahtab Jadu ki

Mumbai February 2024
Dastan-e-Karn
Modern

Dastan-e-Karn

az Mahabharat

Bangalore January 2024
Modern

Dastan-e-Taqseem

Stories of Partition

Kolkata December 2023

History

A Tradition Reborn

Explore the past. Understand the present. Chapter 01
The living tradition of Dastangoi The last great Dastango The modern revival Dastangoi today

The People

The Collective

The mentor, the maker and the producer behind a tradition reborn.

Shamsur Rahman Faruqi

Shamsur Rahman Faruqi

Founder & Mentor

One of the most celebrated writers in Urdu - poet, critic, translator and novelist. His landmark four-volume study of the Dastan-e-Amir Hamza recovered the very tradition Dastangoi revives, and he mentored its return to the stage in 2005.

Mahmood Farooqui

Mahmood Farooqui

Creator & Director

Award-winning writer, Rhodes Scholar and Dastango. Alongside his uncle Shamsur Rahman Faruqi he revived Dastangoi in 2005, and has since performed thousands of shows around the world and trained a new generation of tellers.

Anusha Rizvi

Anusha Rizvi

Producer

Writer and film director whose debut feature Peepli Live premiered at Sundance and was India’s entry to the Academy Awards. A former NDTV journalist, she produces and shapes Dastangoi’s work for the stage.

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Dastangos Trained
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Performances
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Modern Dastans

The New Canon

Modern Dastans

Ancient craft carrying urgent, contemporary voices.

Explore all dastans
01

Dastan-e-Taqseem-e-Hind

The Partition of India

02

Dastan-e-Sedition

The Binayak Sen case

03

Dastan-e-Chauboli

A Rajasthani folk tale

04

Dastan-e-Karn

Karn's tale, from the Mahabharata

Experience

Watch a Performance

Act I · The Opening

Reviews

What People Say

Voices on the revival

The perfectly pitched musicality of the voices, by turns lyrical and humorous; the astonishing plasticity of facial expressions created a vivid theatrical experience.

Malik Kaylan

Wall Street Journal