Lead Dastango
Mahmood Farooqui
Creator & Director
"In August 2002, I had my first encounter with the Dastan-e-Amir Hamza."
The Tellers
The teller is the whole theatre. Meet the voices who carry Dastangoi forward, from the last master of the old line to a new generation trained over two decades.
The Collective
For centuries Dastangoi passed from master to pupil by ear and example, a living chain that fell silent when the last classical teller, Mir Baqar Ali, died in 1928. When Mahmood Farooqui revived the form in 2005, joined early on by the actor Danish Husain, he did more than perform: he began to teach, rebuilding the very apprenticeship that had once kept the art alive.
Two decades on, more than fifty Dastangos have been trained. They come from theatre, journalism, scholarship and the law; they tell the classical Hamza cycle and bold new Dastans alike; and together they have carried the form to more than a thousand stages across India and the world.
In Focus
The last of the old line, and the maker of the new.
The Ensemble
In their own words
Lead Dastango
Creator & Director
"In August 2002, I had my first encounter with the Dastan-e-Amir Hamza."
In Memoriam
Last Classical Dastango · 1850 to 1928
"The last great Dastango of Delhi."
Dastango
"It's the tradition of creating and telling stories that defines the Indian subcontinent."
Dastango
"I can perform Dastans 365 days a year. I love it."
Dastango
"Dastangoi has given me a purpose to believe in myself."
Dastango
"I enjoy my Dastans for the purity of its language and intentions."
Dastango
"Dastangoi for me is a journey to the lost world of Urdu stories."
Dastango
"Dastangoi is a lyrical storytelling in verse. It connects with one and all."
Dastango
"Dastangoi is an amazing journey of learning the art of storytelling."
Dastango
"I love the way a Dastangoi performance connects with the audience."
Dastango
"I am fortunate that I have witnessed the revival of this lost art form."
Dastango
"The beauty of language ignited my interest in Dastangoi."
…and many more among the fifty-plus tellers trained since the revival.
From intimate gatherings to grand festivals, the tellers travel where the story is wanted.